Recent data have provided evidence for an unrecognised ancient lineage of green plants that persists in marine deep-water environments. The green plants are a major group of photosynthetic eukaryotes that have played a prominent role in the global ecosystem for millions of years. A schism early in their evolution gave rise to two major lineages, one of which diversified in the world's oceans and gave rise to a large diversity of marine and freshwater green algae (Chlorophyta) while the other gave (...) rise to a diverse array of freshwater green algae and the land plants (Streptophyta). It is generally believed that the earliest-diverging Chlorophyta were motile planktonic unicellular organisms, but the discovery of an ancient group of deep-water seaweeds has challenged our understanding of the basal branches of the green plant phylogeny. In this review, we discuss current insights into the origin and diversification of the green plant lineage. (shrink)

In this paper I argue against the usual interpretation of\nMeinong's argument for nonexistent objects, an\ninterpretation according to which Meinong imported\nnonexistent objects like "the golden mountain" to account\ndirectly for the truth of statements like the golden\nmountain is golden'. I claim instead (using evidence from\nMeinong's "On Assumptions") that his argument really\ninvolves an ineliminable appeal to the notion of pretense.\nThis appeal nearly convinced Meinong at one stage that he\ncould do without nonexistent objects. The reason, I argue,\nwhy he nonetheless embraced an ontology of nonexistents (...) has\nto do with the phenomenology of representation, and not\nwith semantics. (shrink)

Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The term environmental sound art is generally applied to the work of sound artists who incorporate processes in which the artist actively engages with the environment. While the field of environmental sound art is diverse and includes a variety of approaches, the art form diverges from traditional contemporary music by the conscious and strategic integration (...) of environmental impulses and natural processes. This book presents a current perspective on the environmental sound art movement through a collection of personal writings by important environmental sound artists. Dismayed by the limitations and gradual breakdown of contemporary compositional strategies, environmental sound artists have sought alternate venues, genres, technologies, and delivery methods for their creative expression. Environmental sound art is especially relevant because it addresses political, social, economic, scientific, and aesthetic issues. As a result, it has attracted the participation of artists internationally. Awareness and concern for the environment has connected and unified artists across the globe and has achieved a solidarity and clarity of purpose that is singularly unique and optimistic. The environmental sound art movement is borderless and thriving. (shrink)

This paper begins with a puzzle about certain temporal expressions: phrases like ‘Jones as he was ten years ago’ and ‘the Jones of ten years ago’. There are reasons to take these as substantival, to be interpreted as terms for temporal parts. But it seems that the same reifying strategy would also force us to countenance a host of less attractive posits, among them fictional counterparts of real things (to correspond to such phrases as ‘Garrison as he was in the (...) movie JFK') and much more. I argue that there is a better way: we need only the idea of pretense or make‐believe to make sense of claims embedding such phrases, leaving us with no reason, so far, to accept an ontology of temporal parts. (shrink)

The way in which the Gospel of Luke is presented in the lectionaries brings out the dominant concerns and purposes of the Evangelist himself.

It is sometimes claimed that kripke's work in "naming and necessity" has demonstrated that kant was "right" in his acceptance of the synthetic "a priori", Even though perhaps "wrong" in his choice of examples. This article disputes such a claim by showing that, In accepting the identification of the empirically necessary and the "a priori", Kant's position is incompatible with an acceptance of the kripkean synthetic "a priori" (as well as the kripkean necessary "a posteriori").

Framing Meinzer's work in elegant historic context, preeminent Panhandle historian Frederick W. Rathjen gives us a rare appreciation of the topographic majesty of the Periman Red Beds that 230 to 280 million years ago lay below a shallow sea and through subsequent millennia and riverine deposit, erosion, and redeposit would gain 'variegated walls and formations of gray, yellow, maroon, lavender and orange shown most conspicuously in the lovely Spanish Skirts.".

Microaggressions are, roughly, acts or states of affairs that express prejudice or neglect toward members of oppressed groups in relatively subtle ways. There is an apparent consensus among both proponents and critics of the microaggression concept that microaggressions are “subjective.” We examine what subjectivity amounts to in this context and argue against this consensus. We distinguish between microaggressions as an explanatory posit and microaggressions as a hermeneutical tool, arguing that in either case there is no reason at present to regard (...) microaggressions as subjective and that microaggressions in the hermeneutical sense should be regarded as objective. (shrink)

We argue that computation via quantum mechanical processes is irrelevant to explaining how brains produce thought, contrary to the ongoing speculations of many theorists. First, quantum effects do not have the temporal properties required for neural information processing. Second, there are substantial physical obstacles to any organic instantiation of quantum computation. Third, there is no psychological evidence that such mental phenomena as consciousness and mathematical thinking require explanation via quantum theory. We conclude that understanding brain function is unlikely to require (...) quantum computation or similar mechanisms. (shrink)